Notes on a final year drama production
Ever since James Macdonald’s original production of 4.48 Psychosis for the Royal Court in 2000, Kane’s last play has generally been put on with three performers on stage, incorporating the “[v]ictim. Perpetrator [and the] [b]ystander” (4.48: 231) as ‘characters’. Apart from Daniel Goldman’s production for the Old Red Lion […]